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A video showing the completed painting and narration from the artist. The MA Fine Art group was given a fantastic opportunity to paint a mural on a hotel room wall in Brussels. This was an all expenses paid trip and included a fee for the commission. Practice in order of most recent.
Strong marketing development and strategy skills. Confident communicator, negotiator and decision maker. Innovative thinker and creative problem solver. Natural collaborator and team player. Technically competent with experience of avariety of software systems and databases. Develop media and PR partnerships and deliver PR marketing campaigns to promote a new 5 million gallery extension and programme of exhibitions to arts press and lo.
Female sexuality in horror film. The heart of cinematic horror lies a fear of female sexuality. The genre defines female sexuality as monstrous, disturbing and in the need of repression. Stephen Neale argues that horror film monsters predominantly defined as male, with women as primary victims.
Was a platform for MA Visual Art students to show their practice outside of the university and in a gallery environment. The exhibition was displayed at the Surface Gallery between 1-5 May 2007 and was curated by Lucy Stevens and Cat Preston. For part of the MA Fine Art course one of my assessment outcomes will be to produce a document that describes my experiences of curating Transition exhibition. With Eric Rosoman, Offiste Curator for The City Gallery, Leicester. Transition set up and curation.
Was created using four CCTV cameras positioned in 4 different rooms of my house. I purchased a four way USB adaptor that could connect to 4 CCTV cameras and record simultaneously. The short video shows an ambigious narrative that plays on the issues of intrusive voyeurism via a CCTV camera and paranoia through being watched.
For the Open studio event on 28 April, I exhibited 3 pieces that I had created as part of the residency at CAMAC, France. The End of the Line. Marker pen, confetti, 5 speakers, fan, wooden triangle, 11ft Ping Pong race painting. The End of the Line.
Lucy has 20 years experience creating, collaborating, developing and performing as an actor and classical singer. Her approach to text is as meticulous as it is to music, seeking to communicate an immediate and honest performance that is live and relevant. Over the last 5 years Lucy has developed a performance style in which she coalesces her classical contralto with her spoken voice. Which premiers in 2018, and.
Lovebytes art and technology festival in Sheffield. Enter Unknown Territories art and technology festival in Cambridge.
Strong marketing development and strategy skills. Confident communicator, negotiator and decision maker. Innovative thinker and creative problem solver. Natural collaborator and team player. Technically competent with experience of avariety of software systems and databases. Develop media and PR partnerships and deliver PR marketing campaigns to promote a new 5 million gallery extension and programme of exhibitions to arts press and lo.
Female sexuality in horror film. The heart of cinematic horror lies a fear of female sexuality. The genre defines female sexuality as monstrous, disturbing and in the need of repression. Stephen Neale argues that horror film monsters predominantly defined as male, with women as primary victims.
Was a platform for MA Visual Art students to show their practice outside of the university and in a gallery environment. The exhibition was displayed at the Surface Gallery between 1-5 May 2007 and was curated by Lucy Stevens and Cat Preston. For part of the MA Fine Art course one of my assessment outcomes will be to produce a document that describes my experiences of curating Transition exhibition. With Eric Rosoman, Offiste Curator for The City Gallery, Leicester. Transition set up and curation.